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What does the text most strongly suggest about Sleep No More's use of its performance space? The most recent iteration of the immersive theater experience Sleep No More, which premiered in New York City in 2011, transforms its performance space—a five-story warehouse—into a 1930s-era hotel. Audience members, who wander through the labyrinthine venue at their own pace and follow the actors as they play out simultaneous, interweaving narrative loops, confront the impossibility of experiencing the production in its entirety. The play's refusal of narrative coherence thus hinges on the sense of spatial fragmentation that the venue's immense and intricate layout generates.