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Read the passage carefully and answer the following question: Indian culture, often described as a civilizational continuum, resists neat definition. It is not a frozen artifact preserved in temples or manuscripts but a living process that adapts, absorbs, and rearticulates itself across centuries. From the hymns of the Rigveda to the digital festivals streamed today, the essence of Indian culture lies in its ability to carry forward continuity while simultaneously reinventing itself to meet new circumstances. This paradox of permanence and change has ensured its survival where other ancient traditions have withered. Religion and philosophy have always been at the core of this culture, yet they rarely exist in isolation. The Bhakti and Sufi movements, for instance, blurred the lines between sacred and social, elite and popular, creating bridges across communities. Art and architecture mirror the same synthesis: Buddhist stupas carrying local motifs, Mughal domes inspired by Persian forms but rooted in Indian aesthetics, or modern cinema weaving mythological archetypes with contemporary concerns. This layered borrowing is not weakness but a hallmark of resilience. However, the celebration of diversity often coexists with deep fault lines. Caste, gender hierarchies, and regional rivalries frequently undermine the very harmony that cultural rhetoric extols. Reformers like Raja Ram Mohan Roy, Swami Vivekananda, and B.R. Ambedkar sought to challenge these rigidities, reminding society that continuity must not become inertia. Their interventions illustrate that culture is not only about preserving traditions but also about interrogating and reshaping them. In the global age, Indian culture confronts new paradoxes. On one hand, yoga, Ayurveda, Bollywood, and cuisine have achieved planetary recognition, becoming instruments of soft power. On the other, globalization risks flattening local specificities into marketable clichés, where cultural expressions are commodified rather than lived. A classical raga might be sampled in a pop song, or a festival reduced to a tourist spectacle. The challenge lies in preserving authenticity without resisting change, for rigidity can be as fatal as uncritical adaptation. Ultimately, Indian culture is best understood not as a monolith but as a palimpsest—a manuscript written and rewritten over generations, each layer visible beneath the other. Its strength lies in negotiation: between continuity and rupture, spirituality and materialism, local and global. To speak of Indian culture is therefore not to capture a fixed essence but to recognize a dynamic process where identity is constantly being debated, contested, and renewed. Its destiny depends less on what is inherited than on how each generation reinterprets that inheritance. What is the most appropriate title of the passage?